1508 Brush drawing on a dark ground with white highlight, 400 x 235 mm Staatliche Museen, Berlin This drawing, a study for the figure of St Paul in the Heller Altar, is a primary example of the monumental drapery of the middle period. The contrast with Gr?newald should be borne in mind: in D?rer, the light and shade are entirely subservient to the plastic form; in Gr?newald, they create a general, unseizable movement that extends beyond the surfaces and blends the figure into the background.Artist:D?RER, Albrecht Title: Study of Drapery Painted in 1501-1550 , German - - graphics : study
Painting ID:: 63665
Albrecht Durer b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since. Study of Drapery 1508 Brush drawing on a dark ground with white highlight, 400 x 235 mm Staatliche Museen, Berlin This drawing, a study for the figure of St Paul in the Heller Altar, is a primary example of the monumental drapery of the middle period. The contrast with Gr?newald should be borne in mind: in D?rer, the light and shade are entirely subservient to the plastic form; in Gr?newald, they create a general, unseizable movement that extends beyond the surfaces and blends the figure into the background.Artist:D?RER, Albrecht Title: Study of Drapery Painted in 1501-1550 , German - - graphics : study
